Hot FX3 Full-Frame Cinema Camera and Indipro Tools 45W USB-C PD Wall Charger with Cable Digital Cinema Cameras

The Sony FX3 Full-Frame Cinema Camera isn’t just a camera built for portability, though, it’s a powerhouse digital cinema camera loaded with features that make Sony’s alpha line so sought after by filmmakers and videographers. With an outstanding image sensor, stabilization, and advanced settings, cinematic expression is matched with reliable performance and intuitive operation to meet the requirements of modern-day shoots.

FEATURES:

Optimized for cinematic expression – The FX3 features a 10.2MP Full-frame Backside-illuminated (BSI) Exmor R CMOS sensor that delivers sensitivity, speed and superior movie quality. The Exmor R sensor features Sony’s acclaimed fast hybrid autofocus with 627 phase detection AF points and 89% coverage. The high sensitivity also allows it to autofocus in light as low as EV-6.

High-performance fast processing – With the same BIONZ XR system architecture as the FX6, the FX3 offers high processing performance from image capture through all signal processing stages. The engine also makes it possible to deliver high sensitivity and natural gradations, realistic color reproduction, low noise, and other image quality improvements as well as faster, more precise AF plus the ability to process the large amounts of data required for 4K 120p 10-bit 4:2:2 recording.

S-Cinetone for that expressive cinematic look – In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to easily create a cinematic look without post-production using S-Cinetone picture profile. Inspired by the color science used in Sony’s flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colors and gorgeous highlights that are essential to cinematic expression. S-Cinetone is the default for Picture Profile 11 (PP11) on the FX3.7

Smallest Cinema Line camera for solo shooting – As the most compact model in the Cinema Line, the FX3 is not only the smallest and lightest, but it also features a design that maximizes handheld shooting flexibility with the XLR handle that features two XLR inputs for audio equipment and is ideal for gimbal and drone-mounted work. It weighs just 1.576 lbs. (715 g), including battery and memory cards, and the body is only 5.11″ x 3.33″ x 3.06″ (129.7 x 84.5 x 77.8mm) HxWxD. The camera grip has been carefully designed with professional creators to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.

Astonishing low-light performance and 15+ stops dynamic range – The 10.2MP sensor is optimized for 4K with full-pixel readout and to make use of much larger individual pixels for maximum light gathering capabilities. The full-frame sensor offers more light gathering area than smaller super-35 sensors, while fewer pixels mean each individual pixel is larger than on higher pixel-count full-frame sensors resulting in astonishing low-light capabilities with a high signal-to-noise ratio. It has a Standard ISO range from 80 to 102,400, expandable to 40 to 409,600 for stills and 80 to 409,600 for movies. The FX3 also employs Sony’s industry-leading Exmor R backside-illuminated CMOS image sensor technology for additional low light gathering performance and to double the readout speed. Thanks to the high-sensitivity, Exmor R sensor and fast processing, the dynamic range for movies is an impressively wide 15+ stops.

High speed for slow motion – The FX3 offers several in-camera 4K recording modes to match your creative need and desired format. 4K resolution at up to 120 frames per second delivers extraordinarily smooth 5x (max.) slow-motion imagery. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient inter-frame (Long GOP) compression or high-quality intra-frame (All-I) compression. A maximum bit rate of 1200 Mbps (4:2:2 10-bit, H.264, All-I) 5 delivers supreme image quality when directly replaying movies in slow or quick motion in the S and Q mode. Up to 10x slow motion with Full HD resolution is possible at 240 fps (24p recording), providing fresh perspectives on dynamic sports and other types of action.

Uninterrupted 4K 60p recording – The Sony FX3 helps prevent heat buildup from processing large volumes of data when recording high-bitrate (10-bit/16-bit), high-resolution 4K and high frame-rate (60p/120p) movies that can plague other systems. It combines a fan for active cooling in addition to the unique camera-wide passive heat dissipation structure – with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdown. Cooling modes include: Auto, Minimum (Quiet and slow speed), Off in Rec. (Max speed when not recording) and Always Off.

Efficient MPEG-H HEVC/H.265 (XAVC HS) coding – In addition to Sony’s common XAVC S™ (MPEG-4 AVC/H.264) codec found on many models, the FX3 adds XAVC HS format recording using the MPEG-H HEVC/H.265 codec for approximately twice the efficiency of XAVC S. You can record more detailed 10-bit 4K video at higher bit rates while keeping data volume within a manageable range. Image quality is better than XAVC S at a comparable bit rate, and equal to XAVC S at lower bit rates. H.265 video can be recorded internally to SDXC or CFexpress Type A memory cards.

16-bit RAW output for movies – To answer the increasing demand for RAW recording, the FX3 is capable of 16-bit RAW output up to 4K 60p to an external device via full-size HDMI Type A, for applications that demand the highest quality and post-production flexibility provided by RAW output. Full-frame 4K (4264 x 2408) 16-bit image output is possible, with a choice of frame rates (60p/50p/30p/25p/24p). You can also output RAW video via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is available during RAW output.

Easy S-Log matching with professional camcorders – In many cinema workflows, the ability to match the color of footage from multiple cameras is essential. The FX3 includes S-Log and S-Log gamma curves, the latter emphasizing shadow to mid-tone gradations and making it possible to achieve a dynamic range of 15+ stops. Cine color gamut settings make it easy to match FX3 footage with that shot on professional camcorders equipped with S-Log3 gamma curve settings. Minimum ISO when shooting S-Log has been reduced to 640, and the 160 to 500 range of expanded ISO can be used as well. Sensitivity can be lowered by as much as 2 stops below the normal ISO range for extra-low-noise recording.

10-bit 4:2:2 HLG (Hybrid Log-Gamma) – The FX3 provides HLG8 (Hybrid Log-Gamma) high-dynamic-range picture profile that supports the wide-gamut BT.2020 color space for true-to-life imagery with detailed shadows and highlights, with no need for color grading. Video recorded with this picture profile can be directly played back on an HDR (HLG) compatible Sony TV. Gamma can be selected from four presets: HLG (corresponding to IYU-R BT.2100), HLG1, HLG2, and HLG3. These gamma settings provide varying blends of dynamic range and noise performance, generally achieving wider dynamic range that still blends well with images from previous cameras.

10 in-camera Creative Looks – A selection of Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets with different combinations of color, color depth, brightness, contrast, sharpness, and more. The presets can be used as they are, or customized by the user. Customized Creative Looks can be stored as Custom Looks for later recall.

Tenacious Real-time AF Tracking – AI-based Real-time Tracking for autofocus makes solo shooting a breeze thanks to the new BIONZ XR processing engine and a new subject recognition algorithm that uses color, pattern (brightness), distance (depth), face and eye information to process spatial information in real time at high speed. The focus area will seamlessly change between face and eye to object tracking according to the condition of the subject.

Real-time Eye AF – Real-time Eye AF employs AI (artificial intelligence) to detect and process eye data and track the subject’s eye with unprecedented precision. The superior real-time data processing capability of the new BIONZ XR image processing engine ensures accurate, reliable detection even when faces are looking away at extreme angles. Real-time Eye AF is available in all recording modes, including 4K up to 120p. 

Intuitive touch AF control – The Touch Tracking feature makes it easy to initiate Real-time Tracking of any subject within the frame and can be initiated simply by touching that subject on the screen. 

Advanced features for easier manual focus – Autofocus support can be useful even when primarily using manual focus. it is sometimes advantageous to temporarily activate autofocus quickly to acquire focus on a subject before reverting back to MF.  Focus can automatically be acquired at full AF speed in the same way as when shooting stills by half depressing the shutter button or pressing the AF-ON button. AF can also temporarily be activated via the Touch Focus feature, and Real-time Eye AF can be initiated via a custom button assignment with AF smoothly locking on at the preset AF Transition Speed.

Advanced AF transition and sensitivity settings – Inherited from the FX9 and FX5 Cinema Line cameras, [AF Transition Speed] and [AF Subject Shift Sensitivity] parameters allow more detailed AF control. [AF Transition Speed] provides 7 speed settings and is ideal for creating rack focus effects to effectively guide the viewers’ eye. [AF Subject Shift Sensitivity] provides 5 sensitivity settings that determine how “sticky” AF will be (how easily AF will switch to another subject or how tenaciously it will stay with the locked-on subject). Both these parameters can be assigned to custom keys for fast access while shooting.

Active Mode stabilization for handheld movie shooting – The FX3 features highly effective 5-axis in-body image stabilization with any lens attached. The powerful BIONZ XR image processing engine with advanced real-time processing utilizes gyro sensors, plus optimized image stabilization algorithms to combine the new high-precision 5-axis stabilization unit with electronic Active Mode stabilization for movie shooting. This makes handheld shooting as stable as you can get without requiring a gimbal. Using optically stabilized lenses further enhances stability. Additionally, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare.

Touch screen functionality – Navigation on the FX3 is quick and intuitive with menu tabs situated on the left and parameter groups in the middle while individual parameters are on the right. The menu is also completely touch-responsive. Touch operation while shooting is also available for Touch Focus and Touch Tracking modes in addition to operating settings in the Fn menu. Touch sensitivity can be set to “Standard” or “Sensitive” for maximum control response and reliability.

Customizable features – The highly customizable FX3 is designed for content creators with different needs and styles of shooting. Quickly and easily setup the camera to match your specific needs with 140 Functions assignable to 15 custom keys. Separate functions can be assigned to the Fn button for the still and movie modes. Tailored to your shooting needs, items can be assigned and arranged in any order to the custom My Menu tab. Custom function assignments can also be made to the front, rear dials and control wheel, so that frequently used functions are instantly available when needed. 

Simultaneous display on external HDMI device – The FX3 allows 4K video display on three devices simultaneously for maximum monitoring versatility: the camera monitor, an external HDMI recorder/monitor, and the Imaging Edge Mobile app connected via Wi-Fi. 

Direct Iris, ISO and Shutter exposure control, optimized for video – The Flexible Exposure Mode allows the Auto and Manual modes for iris (aperture), shutter speed, and ISO to be set independently. The Flexible Exposure Mode is ON by default, while a long-press of the custom buttons assigned to the respective function will switch between Auto and Manual. The Manual (default) setting allows aperture, shutter speed, and/or ISO to be set manually as required, but a Manual Lock function activated by a short press on the respective custom buttons locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used aperture (iris) and ISO functions can be controlled by the easily accessible front and rear dials as well as the dial on the top panel.

Custom zoom settings – Optimized for movie making, the FX3 features a zoom lever located on the top of the grip which not only controls compatible powered zoom lenses, but also allows Clear Image Zoom to be used with unpowered zoom and prime lenses with less image degradation. This can significantly reduce the number of lenses required for many projects. Zoom speed can be assigned to a custom button or selected conditionally depending on whether the camera is in standby mode or recording. Remote zoom control is also supported from the Imaging Edge Mobile app or an optional remote-control unit.

White balance adjustment while recording movies – The ability to change white balance while recording video can be a huge advantage when working with mixed lighting. White balance can be adjusted to match changes in the scene while recording movies, and the adjustments can be made to occur slowly and smoothly without abrupt “jumps” (shockless WB). The FX3 can maintain natural-looking white balance when moving from indoor to outdoor situations while shooting a wedding, for example.

More moviemaking aids – As expected on a cinema style camera, the FX3 includes features to make moviemaking and even still image capture easier. The Zebra function can be activated to assist setting exposure while peaking can be used for accurate manual focus control. Gamma display assist is useful when shooting in any of a number of picture profiles and can be set to OFF, Auto, S-Log2, S-Log3, HLG8 (BT.2020) and HLG (709). TC/UB (time code and user bit) are also useful when shooting with multiple cameras that have to be sync’d for easier post-production workflow.

Consistently accurate color reproduction – The high speed and capacity of the new BIONX XR processing engine in the FX3 make it possible to apply more detailed, optimized processing to individual image elements, achieving outstanding color reproduction accuracy. Deep reds and fresh greens are reproduced in all their natural beauty, while skin textures and tones are smooth, realistic, and healthy looking. 

Side-opening vari-angle monitor – A high-definition 3″ (3.0 type) 1.44 million-dot (approx.) touch-sensitive LCD panel with side-opening vari-angle mechanism affords plenty of monitor positioning freedom for high and low viewpoints as well as waist-level, vertical, and selfie positions. Rotating sideways by as much as 176°, up by as much as 180°, and down by as much as 90°, and with ample brightness that provide optimum visibility even in bright outdoor conditions. In addition to supporting the Touch Tracking and Touch Focus functions, the new monitor also provides touch operation for the main and function menus.

Dual card slots, both compatible with SD and CFexpress Type A – Professional workflows demand two identical card slots for peace-of-mind redundant recording or extended record times with additional media options. Both upper (Slot 1) and lower (Slot 2) media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new high-speed CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as 4K movie recording at high bit rates, providing next-generation write speeds. There is also a “relay” mode in which still image or movie recording will automatically switch to the second media card when the first media card is full.

Full-size HDMI Type-A terminal – More secure than micro and mini HDMI cables, the reliable full-size HDMI Type-A connector provides the type of connectivity and durability found in professional video equipment and demanded by professionals.

Long Z-battery life extendable via USB Type C with Power Delivery – The FX3 features an image processing engine, image sensor, and related circuitry that have been refined to optimize power economy in all shooting conditions, further extending the longevity of the high-capacity Z battery. In addition, the FX3 supports USB PD (Power Delivery) via the Type C connector, allowing higher power to be supplied from a compatible external source so that recording can be continued for extended periods without draining the internal battery. A battery must be installed in the camera when supplying USB power and may still drain even if USB power is supplied, depending on the adapter used and camera operating conditions.

Keeping it clean – A new anti-dust system increases dust-removal efficiency. The filter in front of the FX3’s image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second, powered by a revised drive system that effectively removes dust and particles from the filter surface. Effective cleaning means that lenses can be changed when shooting stills or movies without having to worry about dust that can require tedious retouching during post-production.

Enhanced dust and moisture resistant design – In response to feedback from working professionals and videographers, the dust and moisture resistance of the FX3 is enhanced thanks to refinements throughout the body. Additional sealing is provided at all body seams as well as the battery compartment cover, and the media slot now has a double sliding cover and lock lever rather than the previous hinged cover to keep water out.

Durable magnesium alloy chassis – High body durability has been achieved through the use of a lightweight, high-rigidity magnesium alloy for the top cover, front cover, internal frame, and rear cover. Additionally, the mount is attached by six screws for extra strength and rigidity that can handle heavy super-telephoto lenses.

High transfer speed USB Type-C (USB 3.2) connector – A USB Type-C connector that supports fast USB Type C (SuperSpeed USB 5Gbps (USB 3.2)) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. It also provides USB to high-speed wired LAN connectivity via an optional USB-Ether wired LAN adapter cable that provides direct connectivity to 1000BASE-T Ethernet networks for fast wired FTP data transfers. This provides high-speed data transfer capability in environments where wireless LAN is not available. Movie file transfer is supported.

FTP file transfer for stills and movies with ‘save and load’ – The FX3 can transfer movie and still image files to a specified remote FTP server via wireless LAN, high-speed wired LAN via an optional USB to Ethernet adapter, or a USB-tethered smartphone connection to a cellular network. It is also possible to specify protected files for transfer, single-file transfer via custom key assignment, a file format, and more. Up to nine FTP servers can be pre-registered. FTP transfer settings can be saved to and loaded from a memory card separately from the camera settings. This can be useful when connecting multiple cameras of the same model number to an FTP server. All FTP transfer settings are applicable. Up to 10 sets of settings can be saved to one memory card.

Smartphone integration – The Imaging Edge Mobile application (Ver. 7.4 or later) allows a compatible mobile device to be used as a remote-control terminal and data transfer hub. This app also supports Touch Focus and Touch Tracking during movie recording. Transfer and Tagging add-on app is supported to transfer full-size still image files via Wi-Fi. New high-speed, stable USB tethering capability allows FTP data transfers to be carried out via some smartphones. GPS Location Information Link via Bluetooth allows the connected mobile device to record that data with still images or movies (refer to manual for more details). It is also possible to transfer files from a memory card in the camera via Wi-Fi even if the camera power is OFF.

Proxy Recording – Low-bit-rate HD proxy files can be recorded simultaneously with all recording formats, including XAVC S-I 4K. The smaller proxy video files can be used for offline editing previews prior to final 4K editing, reducing computer load and enabling a faster workflow. 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) proxy file recording can be selected as required.